Branon Dempsey is the Managing Editor for PraiseCharts Live as well as the Director and Founder of Worship Team Training: a ministry for local church worship ministries. He has studied and been trained by members of Maranatha! Music and Integrity Music for worship ministry and composition. Branon lives in Cypress, Texas where he is also a Worship Leader/Songwriter and has been in ministry for over 16 years. Read more articles and blogs by Branon on PraiseCharts Live or visit him at www.worshipteamtraining.com. Check out the new sponsor Landing Page of Worship Team Training on PraiseCharts.Here is a short survey I conducted this past winter. Below represents a few questions and answers complied by various Audio and Tech directors. In this article we will hear different perspectives from Audio engineers and techs as related to their top needs in Worship and A/V Ministry.
Q
Will you
list for me your top 5 priorities for Audio technologies for worship: from a
congregation stand point; this would include items that
would be
conducive for music that engage rather than disengage congregations.
A
-A quality sound
system that can cover evenly an entire congregation so the music/speaker can be
understood clearly.
-Quality wireless
microphones that does not cut out or have signal drop/interference.
-Good subs that are
clear, punchy, and not distracting. They should add the intensity to the music,
not distract.
-A sound level that
is tolerable and not overpowering in certain areas. (even levels across the
room) -Mic.s should be as discreet as possible...not something
people get
distracted by.
Q
List 5
wishes from an Engineer's stand point in working with the band & singers.
A
-Everyone is there
on time!
-Provide, in
advance, specific band instrument locations, monitor needs, etc. (including mic
stand type, power needs, etc)
-Everyone's
equipment is where it needs to be and ready to be hooked up or mic'd by the
engineer.
-Some sort of
flowsheet or order or service so there are no surprises.
-Quality sound check
well in advance with plenty of time to fix problems if they arise.
-When sound
checking, only one person playing at a time...no one doodling around on their
instrument.
-Never call sound
engineer’s name during the performance, when dealing with a problem ☺
-Do mention a/v
techs when dealing with positive—especially when thanking others who have
helped.
Q
What
not-to-do's in band working with an engineer.
A
- Don't be late for a
load in or sound check.
-Make sure all
equipment is ready to go and be sound checked.
-Don't change levels
on an amp or move mic.s without informing the engineer.
-Don't go back and
try to run sound for the engineer...usually doesn't go well!
-Don't be rude or
frustrated when asking for a change in monitor settings.
-Don't forget to
clean up after yourself!!!
Q
What
not-not-to do's as a music leader – in working with A/V.
A
-Should act as the
voice of the band in communicating with the engineer.
-Should not change
order of the service without informing the engineer.
-Shouldn't do
anything distracting to the worship experience, i.e. random guitar solo
-Make sure all the
music is ready to go and to the right people for CG.
-Don't snap or act
frustrated with the engineer if something isn't going well. Everyone should be
courteous.
Q
Lastly, 5
things churches should avoid in introducing and/or implementing technologies in
their local house of worship.
- Just because you
can, doesn't mean you should.
-Don't jump into
something without easing it in. Don't buy a huge array sound system and slap it
in and have your service go from 85db to 115db.
-Make sure the
equipment you buy is going to last and has a warranty.
-You get what you
pay for.
-Make sure you have
everything properly secured and put up after a service so you are not looking
for it the next week.
-Make sure the audio
system is appropriate for the venue. Don't overpower or overkill something
because it could be distracting to the worship
experience.
-Should make sure
the people in charge of the systems are competent and have the skill needed to
run the equipment. Some people have great hearts, but if the mix is horrible, it
can be distracting to the congregation and we are there to support it, not
distract from it.